AUDIO SERVICES

Live Audio That Makes Your Event Sound As Good As It Looks

Audio was our first passion. Since 1999, we’ve been designing and running live sound for concerts, festivals, and corporate events across the South. We handle the details so your show sounds great, runs on time, and feels effortless for you and your team.

Planning a concert, festival, or corporate event? Let us build a simple audio plan that matches your vision and your budget.

Book a quick discovery call to get started!

Audio at the Core of Your Event

At the center of every great event is clear, reliable sound. Starting with audio in 1999, we built our company on a few core ideas: plan thoroughly, over‑prepare, and never let the audience notice the tech. Today, that means systems that are properly sized, tuned to the room, and supported by engineers who stay calm when things get loud or schedules shift.

Key Features of Audio Services

Learn how to communicate with clarity, confidence, and purpose. This course explores active listening, tone, body language, and message delivery for stronger, more impactful connections.

Effective Communication

Learn tools for organizing ideas, setting goals, and building consistent schedules. From brainstorming to publishing, this course helps turn scattered thoughts into a cohesive plan.

Content Planning

Discover how to analyze workflows, identify inefficiencies, and implement smarter systems. This course helps you create processes that actually work, for a team or just for yourself.

Process Improvement

Your Questions, Answered

System Capabilities & Equipment

  • Item descriptionWe design a full PA system around your event, using professional brands like MIDAS, Behringer, RCF, EAW, Crest, QSC, JBL, DBX, Rapco, and Ramtech. The exact gear depends on your room, program, and artist needs.

  • Yes. We scale systems up or down based on audience size, coverage needed, and artist requirements. Our goal is simple: every seat hears clearly without being painfully loud.

  • Yes. We provide monitors, main and monitor consoles, wired mics, DIs, and wireless (handheld, lapel, and headworn) as needed for your show.

  • Yes. We tune the system so spoken word is crystal clear and live music has impact without distortion.

Technical Requirements & Power

  • Typically 100–200 amps of single‑phase power within 30 ft of the stage. If your power is different or farther away, we’ll plan around it on our discovery call.

    Smaller sound systems can operate on as little as 20 amps.

  • We’ll review your venue’s power and recommend the safest, most reliable option for your event.

  • A 10 ft x 10 ft area is ideal. We can adjust this or, in some cases, mix without a traditional FOH position if space is tight.

  • Yes. We provide all necessary cabling and can supply cable ramps for high‑traffic areas and thresholds.

Logistics & Timeline

  • Most events require about 3 hours for setup and 1–2 hours for testing and calibration. Larger or more complex shows may need more time; we’ll confirm this in advance.

  • Yes. An audio engineer is present for setup, soundcheck, the entire event, and teardown.

  • We aim to be fully ready 1–2 hours before the first time you need audio (rehearsal, soundcheck, or doors). Teardown is usually immediately after the event. Standard hours are 8 am–8 pm; work outside those hours is subject to overtime as outlined in your contract.

  • This depends on input count, mixes, and changeovers. With good cooperation, we can turn simple line checks in minutes, and deeper run‑throughs in 15–30 minutes. We’ll schedule specific windows with you and the artists.

Contingencies & Backups

  • We carry backup microphones and build redundancy into our speaker systems so we can swap or re‑route quickly if something fails.

  • Many components are weather‑resistant. Sensitive gear (like consoles and laptops) is covered and shaded. For events above 95°F, we recommend avoiding peak heat to protect performers, guests, and equipment.

  • Yes, we carry general liability insurance. We also recommend that clients carry their own event liability policy.

  • Our first move is to manage the schedule, so your show still ends on time. If a band runs long, we can often make up time during changeovers, adjust start times, or tighten transitions so the overall event stays on track.

    If the event runs significantly past the contracted end time and you want us to keep running, we’ll confirm that on-site and continue at our overtime rates. All overtime pricing and billing terms are spelled out in your contract so there are no surprises later.